Say What You Will

Say What You Will

(Image from bubblegumpost.com)

Cammie McGovern

Trigger Warnings for the book: Death mentions, disease, alcohol use, drug mentions

Born with cerebral palsy, Amy can't walk without a walker, talk without a voice box, or even fully control her facial expressions. Plagued by obsessive-compulsive disorder, Matthew is consumed with repeated thoughts, neurotic rituals, and crippling fear. Both in desperate need of someone to help them reach out to the world, Amy and Matthew are more alike than either ever realized.

When Amy decides to hire student aides to help her in her senior year at Coral Hills High School, these two teens are thrust into each other's lives. As they begin to spend time with each other, what started as a blossoming friendship eventually grows into something neither expected.

Yes, I ripped the description off Amazon. Sue me, I hate trying to summarize contemporary books. Anyway, this book... *sigh, runs hand through hair* How to describe this book...

Let me start by saying I did not hate this book. I also didn't love it. But I can't say my opinion was neutral, either. There were a bunch of high points, but also some low points, and instead of cancelling each other out, it just dizzied my opinion on the book. So I'll section this review into two parts- positive and negative.

Positive

(I wish I could make that rainbow and sparkly, but, alas, I don't know how to do a glitter effect. Maybe another time.)

 Point One. This book was honest. I saw it compared to The Fault in Our Stars and just kinda... Well, the Fault in Our Stars isn't an honest book. It's pretty romanticized (listen as the nerdfighters gasp and plot their revenge against me). Say What You Will had an air of, "This is just how it is. There's no need to doll up the truth." Which, I've gotta say, I love. Thank you, Ms. McGovern, for giving the book the most genuine feel I've ever read.

Point Two. Stories about disabilities that aren't completely, "Look, people with disabilities! Existing! So brave!" are hard to come by. Inspiration may be nice, but there's no need to used disabled people as your pawn in the inspiration game. Another thank you to the author for not making Amy an object to gawk at. Amy (and Matthew) went way beyond the feel-good-story characters I expected.

Point Three. Not only were the characters people, they were good people! Interesting people! Honestly, if at the end of the book there was a little note that said "Surprise! There is no Cammie McGovern! This is a joint autobiography!" I might not actually be surprised. They sounded so real.

Point Four. Frrriiiieeeennnddddshhhhiiiiiipppppp. Instalove and enemies-turned-lovers are my two least favorite kinds of romance. Friendship based love is totally the best. It's realistic and warm and fuzzy without the lustity-lust-lust atmosphere I get from love at first sight, or basically anything where the Love Interest(TM)'s first description is that he/she was so hot that you'd melt looking at them.

Point Five. The romance was pretty darn great too. It didn't morph their relationship into something weird and unrecognizable. [Congratulations! It's a spoiler!] And then, when sex did come up, it wasn't an immediate take-off-your-clothes-we're-not-even-gonna-think-about-it thing. Why does that keep happening? I have no idea. But it's nice to get a break from it. [The spoiler disappeared, never to be seen again] Okay, I'm gonna have to say, it was pretty cute. There. You heard it from me, folks.

Negative

Sadly, we'd have to get to this eventually. Even with all the good stuff there was:

Negative Point One. [Wake me up... when the spoilers end] The baby. Yup. Third novel on here with a useless baby. It's not that it wasn't important to the plot, really, it's just there are so many better plot points that could have been used. I don't want another novel with the main girl getting pregnant. I don't need that. No one needs that. It's getting old, people. I'm also absolutely terrified that the book I'm reading now is going to do that. At least in this book the baby's put up for adoption. We really, really don't need another BABY. BABY ALL. ONLY BABY NOW. BABY LIFE. BABY BABY BABY. Story. [Goodbye, spoiler! We'll miss you! Write home!]

Negative Point Two. Near the end, the book went from awesome to a bit weird. Like the author wasn't sure what else to day after [Yeah, one more spoiler.] Amy went missing. [I knew your spoiler. It was a good man.] It became harder to really feel for the situation.

Negative Point Three. More of *sigh, flop onto the couch* The Other Girls. And here's the confusing part. Amy had a more mild case of The Other Girls syndrome than Matthew. She at least accepted them like people. Matthew went so far as slut shaming and acting like Amy was the only decent girl. That's, like, a stage four Other Girls case. All I can say is "no".

(If you total it up, it's two points. A mediocre book is zero points. So, uh, above average, I guess?)

~Corinne 

These Broken Stars

These Broken Stars

 

(Image from squigglesreviews.blogspot.com)

Amie Kaufman & Meagan Spooner

Now for the shortest summary in the history of Yas Read Yas:

Space Titanic.

Yeah. Two words. That's all you need to know about the plot for the rest of the review to make sense.

If you want to understand more, the premise is pretty much that the two MCs- Lilac and Tarver- are on a super expensive and big ship that, as you could expect from the shorter summary, crashes. There's some romantic tensions and 49,998 people died. No bueno.

Okay, that longer-but-still-inadequate description doesn't do the book justice, but anyway! Reviewsies!

I hate to say it, but I'm a total reading hipster. The Fault in Our Stars? Psh, too mainstream (I did read it, though). Twilight? Pshhhh, too horrible. So when I read the cover flap of These Broken Stars, I was kind of like 'Wow, this sounds really ordinary. Hm. Probably cliches and glitter.' But, like Pi, human stupidity is infinitely finite, so I picked it up.

I admit now that perhaps reading this wasn't such a lapse into my stupid side.

There are two main characters, whose POVs the book alternates between. Lilac is a wealthy socialite, Tarver is a jaded low-class soldier. I'm going have to say here that I wasn't particularly fond of Tarver. It wasn't the way he was written or what his actions were, he just wasn't... special, I guess? I mean, I understand that if he was a super speshul snowflake, I wouldn't like him, either. At the same time, though, he didn't do anything that really stood out. His personality didn't stand out. His backstory didn't stand out. And when someone does so little to stand out, they begin to fade off. Other than being a soldier, he sounded a lot like the hundred other male MCs and love interests I've read about. He wasn't bad at all, he just had an air of safety, bubble-wrapping his personality to ensure no one would feel either way about him. 

Lilac, however... I liked Lilac. If there's one cliche that really, really gets me in YA books, it's the 'I'm not like the other girls' thing. As far as I could tell, Lilac was like those mysterious 'other girls'. And that is beautiful. She had grit, but could totally waltz into a ball and be 100% comfortable in a dress. She didn't have to take her time stepping on other girls and screaming, 'Me! I'm important! I'm better them, huh, aren't I?! I drink tea and climb trees! I hate the other girls! Aren't I better than them?!' A heroine whose 'good marks' don't require vilifying others or treating them like the enemy is a heroine who deserves to be read.

Despite Lilac being an above-average character, the plot coasted on 'decent' for most of the book. It was roughly what I expected for the first 75%. Some romantic tension, brief fights about class differences, mortal danger that brings them closer together, lots of angst about their respective pasts, blah blah blah. I wasn't really expecting it to get interesting. But it did! In the last 25%, that is. Which is a bit hard to get to unless you have either a sense of dogged determination or too much free time.

The timing and pace, as I think you can assume from the 75/25 thing up there, wasn't too great. If the (SPOILERS, SKIP AHEAD TO THE NEXT PARAGRAPH TO AVOID THEM) energy being/telepath thing had been introduced halfway, not three-quarters of the way, through the book, I think it would have read a little easier.

I loved the survival side of the story, though. I am 100% fu-fu. The idea of having to go weeks without hot water or tea or anything is, frankly, terrifying. Having nothing to eat but ration bars and grasses is also on the 'nope' side of things.

The non-survival plot elements were pretty fab, too. (SPPPOOOOOIIIILLLLEEEERRRRSSSSS) The whispers (Eee! They didn't unnecessarily capitalize 'whispers'! Yay!) were friggn' cool. Also, I must celebrate the fact that this wasn't suspension of disbelief sci-fi (read: The Future of Us). The authors actually explained why there were visions and whispers and such. The backstories seemed to pretty much center around people the MCs loved dying, which felt a little overdone after a while. However, since the entire book had a big thing about lots people dying, per Titanic tradition, it wasn't too bad like that.

Lastly, the romance. I would like to make it clear that I am not a fan of I-hate-you-I-love-you romances. This one, though, at least deserved to be called 'decent' (at most, it deserved to be called 'Fred'). I understand this doesn't sound like a step up, but it is. The only time the romance actually bothered me or got in the way of the plot was for about twenty pages late in the book. And that's because every other scene was them kissing or referencing shirtlessness. Then the kiss-noshirt-kiss-noshirt thing dies down and we go back to dining on the succulent meat of the plot.

(PS: They totally had sex.)

~Corinne

If You Could Be Mine

If You Could Be Mine

(Image from its goodreads page)

Sara Farizan

This book was getting a lot of awe and wonder in Diversity in YA-esque groups, so I decided to give it a try. Oh, and this is the book I referenced in my last review of The Lost Remote (inside joke inside joke). So you know.

On my second failed attempt of writing a summary for this, here is the goodreads summary:

Seventeen-year-old Sahar has been in love with her best friend, Nasrin, since they were six. They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.

So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.

Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

There. That's good enough. Long, but a fairly good, semi-spoilery summary. Okay. 

This book is possibly one of the most important books I have ever read. Frankly, I think that If You Could Be Mine should be taught in school instead of the same three books every year. There does happen to be one problem, though.

Schools don't like the idea of lesbians. Oh, sure, drugs, alcohol, suicide? Those are cool. We can keep those. But lesbians? God, are you trying to kill us? And lesbians facing real world problems instead of things that will never happen but sound moral-ful? This is clearly a problem. Hold me, I'm feeling faint. 

Ignoring that little rant, yes, Sahar and Nasirin face some pretty serious issues. Drugs and alcohol are referenced, death is faced and people fall into the amazing pit that is the gender spectrum. Religion is mentioned and religion is questioned. These are things that happen. Oh, and apparently other countries exist.

Since this book is a romance book (I know, what is this, the second one on all of Yas Read Yas?), I'm going to start instead of end with the romance. 

Sahar and Nasirin are definitely working on the "opposites attract" idea. I've always that of that as a rule only for magnets, but apparently people generate magnetic fields and it works for humans, too. Sahar is a bit of a tomboy, even though it doesn't quite show in the book. Nasirin, however, is pretty-in-pink feminine. Somehow, though, it works. I'm not sure if my opinion has something to do with the fact that this is a romance novel, so it has to work, or what, but I liked it. There was always a slight (and sometimes less slight) note of irritation with Nasirin from Sahar, but the chemistry was there.

On the actual plot (Whaaaaaaat, the plot wasn't the romance? I know. Crazy. I know non-romance novels that the romance was actually the plot), it was a bit odd. Not in a bad, oh-gods-of-Asgard-and-other-such-holy-places kind of way, but it was just a little strange. The arranged marriage part was interesting, but Sahar's attempt at changing her sex (not gender, though) seemed like the wrong way to go about stopping the marriage. It felt almost a bit forced.

The style was good, maybe not my favorite (Sahar almost sounded lost in her thoughts at random points), but certainly not a turn-off. The pacing was great, almost perfect. Actually, I'm not sure what perfect would be, since this is the best pacing I've seen so far, but I'm sure I'd know it when I saw it.

I really liked the random cultural tidbits about, say, how in Iran you don't put sugar in your tea, you crack sugars cubes between your teeth and drink through them. Though my tea-drinking habits will remain unchanged, it was interesting to learn about the cultures of other countries.

So, I mentioned that there were important (read: somewhat adult) topics in here. Yeah, while drugs and alcohol weren't a focus, and sex wasn't a huge thing, it was still kind of adult. Makes enough sense, since Sahar is seventeen and that's pretty late in the YA spectrum. So, I wouldn't recommend it to anyone who wants to shield their virgin eyes.

 Yay, spoilers! Mostly, I just want to talk about the ending, so I have to put it under the great arch of spoilerhood.

In the end, Nasirin and Sahar have to break up. Sahar goes off to college and Nasirin goes off to a really, really big house.

Sahar eventually visits Nasirin, and they decide the relationship wasn't right for them anyway and blah blah blah.

Now, here's the entire reason I spent the past, like, ten minutes working on that fancy, rainbow text. I have to ask why?! Why can't I find a story about lesbians that ends happily? That ends up with them happy and together? Is it a rule, that as a lesbian, your life must be tragic and you'll feel no love? Why must this happen to me all the time?

Now, if anyone knows about happy lesbians, feel free to comment.

~Corinne

In the Shadow of Blackbirds

In the Shadow of Blackbirds

(Image from its goodreads page)

Cat Winters

It's 1918, and death hangs in the air. Influenza and war have ravaged not only Europe, but the hearts of the American people. When Mary Shelley Black finds out her first love, Stephen, has died, she's grief-stricken. But when his spirit returns to her, she's determined to learn more about what happened to him.

Okay, I'm not huge on historicals (you may notice that they're an endangered species here), and I rarely get through them. This is definitely one of the better ones.

It took a while to get into this book. Nothing particularly interesting happens for the first two, three chapters or so. So I was just kinda sitting there like, "It'll get better. It'll get better. Going sooooo sloooowwww, but it'll get- HURRY UP." I am an impatient person. This took me two check-out sessions from the library to get through it, just because the beginning didn't pass quick enough.

But it's like a slingshot. Cat Winters pulled it back ever so slowly, took target (your very being), and let go. Once Stephen died (it's not that big of a spoiler, get over it), it was off. And Mary Shelley the rock was speeding ahead at speeds I didn't think rocks could reach. And I enjoyed that.

The plot was faaaaabulous. It was well executed (trust me, there are so many bad ways to write a murder/ghost book) and once we reached that flying point, well timed. 

The style was awesome. You have no idea (or maybe you do- maybe you spy on nerds and are freakishly obsessed about what they read) how many ghost or otherwise paranormal books are purple. Like, 'Okay, I see we know how to use our descriptors here. But what are you talking about?' I am so glad this book defied my expectations.

The characters, however, I wasn't so fond of. Most of them were fairly two-dimensional. Their actions got predictable once you found out their main characteristic. And it's never good when characters have a main characteristic. People don't usually have one personality trait that defines their existence. And I can tell you those traits right now.

Mary- She's smart. Really smart. Super smart. She does smart things. Smartly. And she's brave. Like Harry Potter if he was a Ravenclaw. Because then he would be smart.

Aunt Eva- She's superstitious and protective. She's protective because she's superstitious. Or maybe not. We'll never know.

Julius- He's creepy and no one loves him.

Stephen- He's brave and hot. Oh, and smart. I guess.

Well, that's not the entire cast, but you know. Now, I didn't mind that Mary was smart and could, thank the gods of Asgard and Vaniheim, do stuff by herself. She didn't need Stephen to give her step-by-step instructions to get the job done. She is the girl, in concept, that I have been waiting for for SO LONG. But it the whole intelligence/bravery combo thing was kind of shoved in your face. And there didn't need to be (SPOILER SPOILER SKIP THE REST OF THE PARAGRAPH OR YOU SHALL DIE AT THE FIREY HANDS OF THE GODS) so much dying for her. The briefly-got-the-flu-and-survived thing was just a little much.

La, the emotions in this book. They were so deliciously well written. And there were a lot of them- you can't write about death and not have them. HAIL TO THE CAT OF WINTERS.

A good debut novel, I expect more from her soon. :D

~Corinne

Jenny Pox

JENNY POX

BY J.L. BRYAN

I told my sister I didn't get this book just to review it. I told her I wouldn't. Well, I finished two days ago, and now I have to. I just have to.

So, the book is set in South Carolina, and has a pretty simple plot. Jenny Morton, nicknamed Jenny Mittens because she has to where gloves, gives a variant of the plague to anyone she touches. Except she's not the only superhuman of Fallen Oak. There are two more.

So, yeah. Simple. Easy. I don't have to choke on a description. And the book was awesome.

I absolutely loved how the words just flowed together, and were descriptive, but you could easily slip into the book and soon forget you were reading. I ate through that book fast than I eat pie.
I could definitely relate to the characters, and I feel they're back-stories were weaved in well.
Okay, so we're going to assume everything was perfect except the one thing I'm about to say. It was the romance that killed it. It just felt tacked on. It's kind of hard to explain, it just was. The romance felt like a distraction, and wasn't actually as important as it sounds to the plot except for as a trigger.
Yeah.
That's it.
I'm lazy.

Corinne