Odin's Ravens

Odin's Ravens

 (image from blackwellpages.com)

K.L. Armstrong and M.A. Marr

Trigger warnings for death and violence

If you want an original summary, I'm afraid you're out of luck. Sorry about that. Here's the one off goodreads:

When thirteen-year-old Matt Thorsen, a modern day descendant of the Norse god Thor, was chosen to represent Thor in an epic battle to prevent the apocalypse he thought he knew how things would play out. Gather the descendants standing in for gods like Loki and Odin, defeat a giant serpent, and save the world. No problem, right?

But the descendants' journey grinds to a halt when their friend and descendant Baldwin is poisoned and killed and Matt, Fen, and Laurie must travel to the Underworld in the hopes of saving him. But that's only their first stop on their journey to reunite the challengers, find Thor's hammer, and stop the apocalypse--a journey filled with enough tooth-and-nail battles and larger-than-life monsters to make Matt a legend in his own right.

A bit of backstory. This is the second book in the Blackwell Pages series. You may feel duped of the review of the first book, but more backstory- I never read the first book. I was so excited to see a book on Norse mythology (and I had heard of the series before) I bought it right then and there in a little airport bookstore. It took about fifteen minutes for me to notice the little yellow banner on the spine that read "Book 2". So thank you, authors, for having this book make sense for all of us that never read the first. That is a talent. A flower crown for the two of you.

I'm sure my readers are getting just a little tired of Norse mythology. I can see you scowling and pointing to the book I just reviewed that was also the second book of a Norse series, raising one unamused eyebrow. To that I'm sorry. Norse mythology is my special interest, and most people in my life probably feel the same way you do. I'll try and keep it short.

Ahhhhh, characters, characters. Loved the characters, and it was multiple POV so we got to read from 4/5 of the important POVs. No Baldwin sections that I remember. Disappointing, I know. Baldwin was the only person who was mildly HAPPY. Not to say that the others were bad, just not Baldwin. Can you guess my favorite character?

There were pictures. That's all you need to know. There were PICTURES.

A few things left me wondering if they were added in for plot convenience. For instance, the bags that Helen gave the kids. Those were just really... Convenient. It took out an element of urgency. Though, this could be swept under the rug by the fact it's MG. I suppose I'm a bit older and than the target audience.

Also, names. I need to decide if I hate or love the names. I mean, I like meaning names, but Helen. As Hela. And Ray and Reyna being Freyr and Freyja. Reyna and Freyja even have the same name meanings. But Ray means 'counsel protection' so, ya'know, we're not completely following a pattern here. I'm so confused. I love and hate the names.

The ending. THE END. HOLY CRAP. Now I need book three, which isn't out yet. It joins the ranks of the three other books that are coming out in 2015, but I want now. Let me tell you, if you feel at all bored (why would you?) while reading, give it until the last few pages. Holy goats.

If there was one problem I had, it was just how white the cast was. No diversity whatsoever. I know, I know, they're the descendants of Norse gods, and most people in Scandinavia are white. However, it's not like they're descendants on both sides (unless they were, in which a case, sorry, missed that), so they could have mixed race. Or something. And it so straight. No, I don't care that it's middle grade, if there can be straight romance, there can be gay romance. One is not more taboo than the other. Copy this over for disability, class, and anything else you can think of that I can't.

And the romance seemed a little unnecessary, too. Or, I think it's unnecessary because I'm worried Laurie will end up in a love triangle. Or, I think it's unnecessary because the chemistry between [Spoilers we have heard on high] Owen and Laurie [sweetly spoilering o'er the plains] is next to nil. Or, I think their chemistry is next to nil because I didn't want romance. It's cause and effect, but I'm not sure which is which.

(This review is a MESS)

~Corinne 

On the Day I Died

On the Day I Died

 (Image via juniorlibraryguide.com)

Cadence Fleming

(Trigger Warnings (book and review): Death, fire, spiders, blood, the undead, murder- Okay, -almost anything that has the potential to kill you was in here. For the love of a Smiling God, do not read if you have basically any triggers.)

Mike is driving fast to get home before he almost hits a dripping wet girl with his car. He slams on the brakes, and, knowing he's already late and the girl is clearly miserable, offers her a ride home. Except her mother says she's dead, and her real home is White Cemetery. Michael's visit there, however, leaves him trapped by the ghosts that need to tell their stories.

I read this book the first time the same year it was published. I didn't have a blog at the time, and my tastes were kind of underdeveloped back then anyway. It became my favorite book. I read again recently and came to some frightening truths about younger me (Why did I feel the need to read about all these deaths? Why was I upset when a cat was mentioned to have died, but not when the narrator died?  What was wrong with me?). It now ranks as 'decent' on my book-o-meter. Let's find out why.

This book is the ultimate exercise of writing different voices. And it succeeded. The characters were all obviously individuals. Heck, it sounded like it could have been different writers writing, even, which I mean in the best way possible.

So, another part of this book is that they died in supernatural ways. A couple, though, went from 'ooooh spppoooookkkkyyyyyyy' to 'wait what'. And the first didn't really even go under the theme of supernatural. Unless there's something I missed there, which is totally possible.

The writing style, while it varied from story to story, was consistently interesting. Or, didn't leave me skipping over paragraphs out of boredom, even in the slowest-building stories. However, the descriptions weren't usually as detailed as I wanted. There was a lot left to the imagination.

An anthology of ten short stories usually means ten different settings. Or, it's in New York. But instead On the Day I Died is set in Chicago, and does that fine. It's not the same story over and over again, it's not even really the same setting over and over again. Way to milk your surroundings. Also in a good way.

Overall, good light reading for creep addicts.

(Sorry for the patheticness of this review, and the fact I missed the 15th...)

~Corinne

Notice

Sorry about being gone so long. School's back, less reading time, the usual.

I have to drop the queue for the 1st. I just don't have time for three things a month, though hopefully I'll do better as I get back into the rhythm of things.

Also, masterpost three is in the works. So y'all know.

~Corinne

The Masterpost of Diversity p.2

Well, here we are, list number two. Hopefully, this list will be longer than the last. Once again, leads count, all else does NOT. Also once again, please tell me if I missed a trigger warning, you want to add a book, I was wrong about the diverse-ness, or if the book is actually really offensive and I need to take it off (I haven't read most of these books, sorry!).

Thank you to mrkohler for correcting me on a couple things I got wrong and adding books to the list!

Part 2 People of Color

Africa

Zebra Crossing- Meg Vandermerwe (South African)

Chausiku: The Gathering Storm- Pamela E. Cash (Anzande, tw death)

The Milk of Birds- Sylvia Whitman (Sudanese, tw death, rape)

The Chaos of Stars- Kiersten White (Egyptian)

Now Is the Time for Running- Micheal Williams (Zimbabwean, tw war, death)

Lost Girl Found- Leah Bassoff, Laura DeLuca (Sudanese, tw war, death)

Akata Witch- Nnedi Okorafor (Nigerian)

Threatened- Eliot Schrefer (Gabonese, tw death)

Asia

Spirit of a Mountain Wolf- Rosanne Hawke (Pakistani, tw slavery, death)

Island's End- Padma Venkatraman (Indian, tw disaster)

The Fire Wish- Amber Lough (Middle Eastern)

Shabanu: Daughter of the Wind- Suzanne Fisher Staples (Middle Eastern)

The Master Puppeteer- Katherine Paterson, Haru Wells (Japanese, also, might be MA, not YA)

Silver Pheonix- Cindy Pon (Chinese)

Book of a Thousand Days- Shannon Hale, James Noel Smith (Central Asian???)

A Teaspoon of Earth and Sea: A novel- Dina Nayeri (Iranian, technically MA)

The Walled City- Ryan Graudin (Chinese)

A Time to Dance- Padma Venkatraman (Indian, tw amputation, death, blood, injury)

Huntress- Malinda Lo (Chinese)

Ash- Malinda Lo (Chinese)

Shadows on the Moon- Zoe Marriott (Japanese, tw self harm)

Prophecy- Ellen Oh (Korean)

The Pearl that Broke its Shell- Nadia Hashimi (Afghan, tw drugs)

Of Metal and Wishes- Sarah Fine (Okay, Noor means Iranian, but I think it's set in east Asia? Does anyone know?)

Exquisite Captive- Heather Demetrios (Persian, I think? Tw death) 
 

Tiger Moon- Antonia Michaelis (Indian)

In the Name of God- Paula Jolin (Syrian, tw war)

When My Name was Keoko- Linda Sue Park (Korean, tw war)

Zero Defect- Aarohan Atwal (Indian)

A Single Shard- Linda Sue Park (Korean)
 

Toads and Diamonds- Heather Tomilson (Indian, tw disease)

Moon at Nine- Deborah Ellis (Iranian, tw threat of death)

Spirit's Princess- Esther M. Friesner (Japanese, tw disaster)

Stormdancer- Jay Kristoff (Japanese, tw death, injury, disaster)

Year of Impossible Goodbyes- Sook Nyul Choi (Korean, tw war)

Alpha Goddess- Amalie Howard (Indian)

Forbidden- Kimberely Griffiths Little (Mesopotamia, which would be Iran/Iraq nowadays)

Love's Prey- Meg Xuemei X (Chinese, tw abuse)

Australia

 

Does My Head Look Big in This?- Randa Abdel Fattah (Palestinian-Australian, tw slurs, bullying)

The Interrogation of Ashala Wolf- Ambelin Kwaymullina (Indigenous Australian)

Ten Things I Hate About Me- Randa Abdel-Fattah (Lebanese-Australian)

Preloved- Shirley Marr (Chinese-Australian, tw death)

 Europe

 

The Icarus Girl- Helen Oyeyemi (Nigerian-English)

Between Two Worlds- Katherine Kirkpatrick (Greenland Iniut, tw death)

I Love I Hate I Miss My Sister- Amélie Sarn (Algerian-French, tw murder)

Kiffe Kiffe Tomorrow- Faïza Guène (Moroccan-French)

Mixing It- Rosemary Hayes (Middle-Eastern-English, tw terrorism, injury)

A Spy in the House- Y.S. Lee (Asian-English, tw death)

Where I Belong- Gillian Cross (Somali-English)

From Somalia with Love- Na'ima B. Robert (Somali-English)

The Night Itself- Zoe Marriott (Japanese-English)

 North America

The Chaos- Nalo Hopkinson (Caribbean-Canadian ((tricked you, huh, thinking I'd say American. BUT NO.)))

Shadows Cast by Stars- Catherine Knutsson (First Nations of Canada, tw blood)

Skraelings: Clashes in the Arctic- Rachel Qitsualik-Tinsley, Sean Qitsualik-Tinsley (Inuit, tw murder, war)

For Today I Am a Boy- Kim Fu (Chinese-Canadian)

Throwaway Daughter- Ting-xing Ye (Chinese-Canadian, tw massacres ?)

Names on a Map- Benjamin Alire Saenz (Latino, tw war)

Aristotle and Dante Discover the Secrets of the Universe- Benjamin Alire Saenz (Latino, tw violence, death, homophobia, brief transphobic language, mentions of drug use, alcohol, injuries (there's a lot of them, okay))

Caminar- Skila Brown (Latino, tw death, war)

The Girl Who Could Silence the Wind- Meg Medina (Latino)

Yaqui Delgado Wants to Kick Your Ass- Meg Medina (Latino, tw bullying, assault, injury)

Under the Mesquite- Guadalupe Garcia Mccall (Latino, tw illness)

Black Hole Sun- David Macinnis Gill (Latino)

The House of the Scorpion- Nancy Farmer (Latino)

Jumped In- Patrick Flores-Scott (Latino, tw gangs)

The Book of Unknown Americans: A novel- Cristina Henriquez (Latino)

The Living- Matt De La Peña (Latino, tw disaster, death)

Marcelo in the Real World- Francisco X. Stork (Latino- also also ALSO autistic Latino)

Fated- Alyson Noel (Latina, tw death)

Flowers in the Sky- Lynn Joseph (Latina)

Mexican WhiteBoy- Matt de la Pena (Latino)

Crossing the Line- Malin Alegria (Latina)

Sanctum- Sarah Fine (Latina, tw suicide)

Death, Dickinson, and the Demented Life of Frenchie Garcia- Jenny Torres Sanchez (Latina, tw death)

Summer of the Mariposas- Guadalupe Carcia McCall (Latina, Tw death)

The Last Summer of the Death Warriors- Francisco X. Stork (Latino, tw murder, disease)

The Lost Sun- Tessa Gratton (Latino, I think? It's mentioned like, once. And I am only using it's real title because I have to. Tw alcohol, death, blood)
 
Hammer of Witches- Shana Mlawski (Latina, when will I stop loving that title? NEVER.)

Ask My Mood Ring How I Feel- Diana Lopez (Latina, tw disease)

We Were Here- Matt de la Pena (Latino)

Illegal- Bettina Restrepo (Latino)

Sofi Mendoza's Guide to Getting Lost in Mexico- Malin Algeria (Latina)

Santa Olivia- Jacqueline Carey (Latina, tw death)

What Can(t) Wait- Ashley Hope Perez (Latina)

Shelter- Patricia H. Aust (Latino, tw abuse)

Drift- M.K. Hutchins (Mayan???)

Tankborn- Karen Sandler (African American)

This Side of Home- Renee Watson (African American)

Not Otherwise Specified- Hannah Moskowitz (African American, tw eating disorders)

Orleans- Sherri L. Smith (African American)

Liar- Justine Larbalestier (African American, tw death) 

Echo- Alicia Wright Brewster (African-American, tw death)

Mare's War- Tanita S. Davis (African-American, tw war)

Kergulen- R.A. White (African-American, tw abuse)

If You Come Softly- Jacqueline Woodson (African-American)

Dust Girl- Sarah Zettel (African American)

Bad Kitty- Michele Jaffe (African American? Tw murder)

Pinned- Sharon G. Flake (African American)

Flygirl- Sherri L. Smith (African-American, tw war)

Pointe- Brandy Colbert (African-American, tw eating disorders, drugs, alcohol)

Shrink to Fit- Dona Sarkar (African-American, tw eating disorders)

Rumor Central- ReShonda Tate Billingsley (African-American)

Lies We Tell Ourselves- Robin Talley (African American, tw bullying, racism)
  
Copper Sun- Sharon M. Draper (African-American, tw slavery)

Tears of a Tiger- Sharon M. Draper (African-American, tw death, alcohol use)

The Battle of Jericho- Sharon M. Draper (African-American)

Crystal- Walter Dean Myers (African-American)

Charly's Epic Fiascos- Kelli London (African-American)

Next- Kevin Waltman (African-American)

Foul Trouble- John Feinstein (African-American)

When I Was the Greatest- Jason Reynolds (African-American, tw weapons, violence)

Call Me By My Name- John Ed Bradley (African-American, tw racism)

Kinda Like Brothers- Coe Booth (African-American)

A Wish After Midnight- Zetta Elliot (African-American, tw drugs, racism, war)

Kendra- Coe Booth (African-American)

Willow- Tonya Cherie Hegamin (African-American, tw slavery)

Rebels by Accident- Patricia Dunn (Egyptian-American, tw war)

My Most Excellent Year: A Novel of Love, Mary Poppins, and Fenway Park- Steve Kluger (Chinese-American, tw death)

Bird- Crystal Chan (Chinese-American? That's an assumption, I don't know. Tw death)

Team Human- Justine Larbalestier, Sarah Rees Brennan (Chinese-American, tw anything to with vampires)

Girl in Translation- Jean Kwok (Chinese-American)

The Painted Boy- Charles de Lint (Chinese-American, tw death)

Seeing Emily- Joyce Lee Wong (Chinese-American)

Girl Overboard- Justina Chen (Chinese-American, tw injury)

Paper Daughter- Jeanette Ingold (Chinese-American)

Crossing- Andrew Xia Fukuda (Chinese-American)

Possess- Gretchen McNeil (Chinese-American, tw death)

Mismatch- Lensey Namioka (Chinese-American)

Revenge of the Mooncake Vixen- Marilyn Chin (Chinese-American)

Chloe Leiberman (Sometimes Wong)- Carrie Rosten (Chinese-Jewish-American)

Gilded- Christina Farley (Korean-American) 
 
Stop Me If You've Heard This One Before- David Yoo (Korean-American, tw disease)

To All the Boys I've Loved Before- Jenny Han (Korean-American)

The Fold- An Na (Korean-American)
 
Since You Asked- Maurene Goo (Korean-American)

Good Enough- Paula Yoo (Korean-American)

Necessary Roughness- Marie G. Lee, Marie Myung-Ok Lee (Korean-American)

Finding My Voice- Marie G. Lee (Korean-American, tw racism)

Persimmon- Doc Pruyne (Korean-American)

Relax, I'm a Ninja- Natalie Whipple (Japanese-American)

Outside Beauty- Cynthia Kadohata  (Japanese-American)

Coral Hare: Atomic Agent (A WW2 Spy Novel) Inspired by actual historical events- Clive Lee (Japanese-American, tw war)

Orchards- Holly Thompson (Japanese-Jewish-American, tw suicide)

The Lost Girl- Sangu Mandanna (Indian-American- might just be Indian, tw death)

Shine, Coconut Moon- Neesha Meminger (Indian-American, tw terrorism, racism, anything to do with 9/11)

Born Confused- Tanuja Desai Hidier (Indian-American)

Monsoon Summer- Mitali Perkins (Indian-American)

The Not-So-Star-Spangled Life of Sunita Sen- Mitali Perkins (Indian-American)

Red Turban White Horse- Nandini Bajpai (Indian-American)

Ask Me No Questions- Marinda Budhos, Ferdidnando Scianna (Bangladeshi-American)

Nothing But the Truth (and a few white lies)- Justina Chen (Taiwanese-American)

The Emerald City- J.A. Beard (Tibetan-American)

She's So Money- Cherry Cheva (Thai-American)

Roots and Wings- Many Ly (Cambodian-American)

Sophmore Undercover- Ben Esch (Vietnamese-American, tw drugs)
 
Skunk Girl- Sheba Karim (Pakistani-American)

Boy vs. Girl- Na'ima B. Robert (Pakistani-American) 

The Art of Secrets- James Klise (Pakistani-American, tw fire)

Molly By Any Other Name- Jean Davies Okimoto (Asian-American)

Cat Girl's Day Off- Kimberly Pauley (Asian-American)
 

Guantanamo Boy- Anna Perera (Pakistani-American)

Extreme American Makeover- Mitali Perkins (Pakistani-American)

Permanent Record- Leslie Stella (Iranian-American, tw bullying)

Bestest. Ramadan. Ever- Medeia Sharif (Muslim-American)

The Tyrant's Daughter- J.C. Carleson (Middle-Eastern-American, tw death)

Nation- Terry Pratchett (South Pacific Islander, tw death, tsunami, and all that goes with it)

If I Ever Get Out of Here- Eric Gansworth (Tuscarora, tw alcohol, bullying)

The Absolutely True Diary of a Part-Time Indian- Sherman Alexie, art by Ellen Forney (Spokane, tw slurs, bullying, alcohol abuse, and death) 
 
More Than Good Enough- Crissa-Jean Chappell (Misccosukee)

The Gathering- Kelley Armstrong (Navajo, tw death)

How I Became a Ghost- Tim Tingle (Choctaw, tw death)

Killer of Enemies- Joseph Bruchac (Apache, tw death, weapons, violence)

Rain is Not My Indian Name- Cynthia Leitich Smith (Native American, tw death)

Hooked- Liz Fichera (Native American, tw racism, bullying)

Sorrow's Knot- Erin Bow (Native American, tw death)

Wolf Mark- Joseph Bruchac (Native American, tw alcohol, drugs)

Wildefire- Karsten Knight (Polynesian-American, tw violence)

 

South America

The Summer Prince- Alaya Dawn Johnson (Brazillian)

Origin- Jessica Khoury (Brazillian? Somewhere in the Amazon.)

Biracial/Didn't know where to put it/Multiple

So This is How it Ends- Tui T. Sutherland (Latino, Egyptian, might be others?)

Otherbound- Corinne Duyvis (I... I actually have no clue. No one tells me anything.)

Let's Get Lost- Adi Alsaid (Multiple, I think? And no, of COURSE I'm not adding this just because it mentions my home state, GEEZ. Tw death.)

Bleeding Violet- Dia Reeves (Biracial- Black and white, tw mental illness)

Romiette and Julio- Sharon M. Draper (Latino and African-American, tw gang stuff)

An Ocean Apart, A World Away- Lensey Namioka (Torn between Chinese and Chinese-American)

Drama Queens in the House- Julie Williams (Biracical- Black and white)

How To Salsa in a Sari- Dona Sarkar (African-American-Indian, Latina, tw bullying)

The Other Half of My Heart- Sundee T. Frazier (Biracial, black and white)

The Counterfeit Family Tree of Vee Crawford-Wong- L. Tam Holland (Chinese-American-White)

The Girl of His Dreams- Amir Abrams (Latino, African-American)

The Girl from the Well- Rin Chupeco (Japanese-Hawaiian, tw death)

Gadget Girl: The Art of Being Invisible- Suzanne Kamata

Jet Black and the Ninja Wind- Leaza Lowitz and Shogo Oketani (Japanese-American-white, tw death and violence)

Ink- Amanda Sun (Japanese-American-white)

No Surrender Soldier- Christine Kohler (Dual POV: Japanese and Chamorro, tw rape, murder, war, disease)

(I wish Good Enough and More Than Good Enough could be put next to each other, so it would look like they were arguing. Also, every time I have to put down something vague like "Native American" or "Asian American", someone steps on a puppy's tail.)

~Corinne

Read More at http://latinas4latinolit.org/2014/07/10-latino-books-for-teens/, Copyright © Latinas for Latino Lit (L4LL)

Guadalupe Garcia Mccall

Read More at http://latinas4latinolit.org/2014/07/10-latino-books-for-teens/, Copyright © Latinas for Latino Lit (L4LL)

Guadalupe Garcia Mccall

Read More at http://latinas4latinolit.org/2014/07/10-latino-books-for-teens/, Copyright © Latinas for Latino Lit (L4LL)

The Strange Maid

The Strange Maid

(image from its randomhouse.com page)

Tessa Gratton

(Trigger Warnings for the book: Death, alcohol)

(Gif warning for the review)

Signy Valborn climbed the New World Tree when she was seven, looking for Asgard at its top branches. It wasn't there, but the Allfather was. He promised her that if she could solve a riddle, she could join the ranks of the Valkyries. For ten years, Signy has trained to become a Valkyrie, trying to solve her riddle all the while. After running from home to live in the streets of Chicagland, she's not eager to trust Ned Unferth, who claims to know the answer. A Greater Mountain Troll, he claims, will hold the solution. Signy knows she's running out of time. She'll have to trust him.

You know, I was so proud of my summary for The Last Mango (If you're confused, read the review for the predecessor book- then you'll know why I refuse to call it by its real title.). Not sure what went wrong this time.

(image from Pintrest)

Yes, kid, this is a kissing book. There is lots of kissing. You're going to have to get used it. But, hey, there's a plot, too, so get over yourself. Here are the characters who may or may not have kissability:

Signy Valborn- KISSING RATE: HIGH- Finally, a strong female character that isn't a) basically a male character that the author decided should be female, or b) a sex object hiding under the strong female character guise. Signy was a genuinely interesting and cool character to read about. She had almost all the traits you want in a female character, without the chaser of "stage seven Other Girls syndrome" and "magically fails to do anything when Love Interest comes along". A+ main character.

Ned Unferth- KISSING RATE: Lower than Signy, but higher than, say, Sharkman- This is ~Love Interest~. You can tell just by those squiggles that I have a bone to pick. However, I actually have no reason to pick that bone other than Ned's brooding and angst. And the brooding and angst was reasonable too. So, while his character wasn't my favorite, there's no reason to actively hate him. Sad, I know.

Soren Bearstar- KISSING RATE: haha your girlfriend got turned into a goddess everybody point and laugh- I actually liked him better in this book than in the last. Is that weird? He was the MC of the last book. Anyway, he felt more sympathetic and real this time around.

Sharkman- KISSING RATE: Lower than Ned, but higher than Soren- Not important, I know, but for a secondary Love Interest, he probably should have shown up more. Or at least had a personality. Or something.

Baldur- KISSING RATE: Probably still higher than Soren- Okay, I'm only putting him down because I thought he was cool. He only showed up once.

The writing style wasn't too compelling. It wasn't really boring, but it didn't demand my attention. I felt like the narrator could have been a little less detached. However, it was good to see some real emotions from this main character, even if they felt a little bit at a distance. Perhaps third person would fit the style a bit better.

Ooh, ooh the twist near the end! I love end twists! That was pretty darn great. And it made sense, but wasn't obviously going to happen from the beginning. If there were more plot twists like that, reviews would be a happier place.

The balance of action and character development was pretty sweet. Not summer blockbustery, but also not romantic tragedy. Realistic, without one subplot beating out another. Or, well, as realistic as a fantasy book can get. You know. Anyway, veddy veddy good, Ms. Gratton, veddy veddy good.

On the romance: Let's face it, even though I have no practical reason to dislike Ned, I disliked Ned. The air of father figure/mentor and also Love Interest was unnerving. If he stuck as mentor and Sharkman became the Love Interest, I think I'd take it better.

I'm torn whether I liked this book or the last book better. The last one I liked the characters and plot better, but this one didn't have the same problems that bothered me last time.

(Let's face it, if my immune system was better, you guys wouldn't get anything.)

~Corinne

Say What You Will

Say What You Will

(Image from bubblegumpost.com)

Cammie McGovern

Trigger Warnings for the book: Death mentions, disease, alcohol use, drug mentions

Born with cerebral palsy, Amy can't walk without a walker, talk without a voice box, or even fully control her facial expressions. Plagued by obsessive-compulsive disorder, Matthew is consumed with repeated thoughts, neurotic rituals, and crippling fear. Both in desperate need of someone to help them reach out to the world, Amy and Matthew are more alike than either ever realized.

When Amy decides to hire student aides to help her in her senior year at Coral Hills High School, these two teens are thrust into each other's lives. As they begin to spend time with each other, what started as a blossoming friendship eventually grows into something neither expected.

Yes, I ripped the description off Amazon. Sue me, I hate trying to summarize contemporary books. Anyway, this book... *sigh, runs hand through hair* How to describe this book...

Let me start by saying I did not hate this book. I also didn't love it. But I can't say my opinion was neutral, either. There were a bunch of high points, but also some low points, and instead of cancelling each other out, it just dizzied my opinion on the book. So I'll section this review into two parts- positive and negative.

Positive

(I wish I could make that rainbow and sparkly, but, alas, I don't know how to do a glitter effect. Maybe another time.)

 Point One. This book was honest. I saw it compared to The Fault in Our Stars and just kinda... Well, the Fault in Our Stars isn't an honest book. It's pretty romanticized (listen as the nerdfighters gasp and plot their revenge against me). Say What You Will had an air of, "This is just how it is. There's no need to doll up the truth." Which, I've gotta say, I love. Thank you, Ms. McGovern, for giving the book the most genuine feel I've ever read.

Point Two. Stories about disabilities that aren't completely, "Look, people with disabilities! Existing! So brave!" are hard to come by. Inspiration may be nice, but there's no need to used disabled people as your pawn in the inspiration game. Another thank you to the author for not making Amy an object to gawk at. Amy (and Matthew) went way beyond the feel-good-story characters I expected.

Point Three. Not only were the characters people, they were good people! Interesting people! Honestly, if at the end of the book there was a little note that said "Surprise! There is no Cammie McGovern! This is a joint autobiography!" I might not actually be surprised. They sounded so real.

Point Four. Frrriiiieeeennnddddshhhhiiiiiipppppp. Instalove and enemies-turned-lovers are my two least favorite kinds of romance. Friendship based love is totally the best. It's realistic and warm and fuzzy without the lustity-lust-lust atmosphere I get from love at first sight, or basically anything where the Love Interest(TM)'s first description is that he/she was so hot that you'd melt looking at them.

Point Five. The romance was pretty darn great too. It didn't morph their relationship into something weird and unrecognizable. [Congratulations! It's a spoiler!] And then, when sex did come up, it wasn't an immediate take-off-your-clothes-we're-not-even-gonna-think-about-it thing. Why does that keep happening? I have no idea. But it's nice to get a break from it. [The spoiler disappeared, never to be seen again] Okay, I'm gonna have to say, it was pretty cute. There. You heard it from me, folks.

Negative

Sadly, we'd have to get to this eventually. Even with all the good stuff there was:

Negative Point One. [Wake me up... when the spoilers end] The baby. Yup. Third novel on here with a useless baby. It's not that it wasn't important to the plot, really, it's just there are so many better plot points that could have been used. I don't want another novel with the main girl getting pregnant. I don't need that. No one needs that. It's getting old, people. I'm also absolutely terrified that the book I'm reading now is going to do that. At least in this book the baby's put up for adoption. We really, really don't need another BABY. BABY ALL. ONLY BABY NOW. BABY LIFE. BABY BABY BABY. Story. [Goodbye, spoiler! We'll miss you! Write home!]

Negative Point Two. Near the end, the book went from awesome to a bit weird. Like the author wasn't sure what else to day after [Yeah, one more spoiler.] Amy went missing. [I knew your spoiler. It was a good man.] It became harder to really feel for the situation.

Negative Point Three. More of *sigh, flop onto the couch* The Other Girls. And here's the confusing part. Amy had a more mild case of The Other Girls syndrome than Matthew. She at least accepted them like people. Matthew went so far as slut shaming and acting like Amy was the only decent girl. That's, like, a stage four Other Girls case. All I can say is "no".

(If you total it up, it's two points. A mediocre book is zero points. So, uh, above average, I guess?)

~Corinne 

A Time to Dance

A Time to Dance

(image from its goodreads page)

Padma Venkatraman

(Trigger warnings for the book- amputation, injury, blood, death)

Veda is a dance prodigy, used to applause and attention. After an accident, however, her dreams are shattered with her leg. A below-the-knee amputation has to be preformed, making Veda's once graceful movements slow and clumsy. But instead of giving up, she tenaciously chases her dream, entering beginner dance classes to relearn balance and flexibility. There she meets Govinda, a young dance teacher who believes in dance as a spiritual pursuit. With him, Veda's view of the world changes, and she finds what dancing means to her.

*Reads my summary* *Reads the book's summary* *Realizes I sound like a 6th grader when told to write about something 'in their own words'* *Laughs, but nervously*

Anyway, this book had the perfect set up to be the bane of my existence. A novel in verse (Is it poetry? Is it a novel? WHO KNOWS.), spiritual, inspirational... I mean, nearly everything I don't like was there. Yet this book was so good.

Veda was such a great character. It was amazing, seeing the world through her eyes. Despite one of the reasons I don't like novels in verse being they suck the life out of characters, she warded off the voice-vampire like a PRO. I think we need more Vedas in fiction.

The descriptions were A++. Even the kind of weird or disturbing ones, such as the phantom limb sensation or the time at the beginning of the book when Veda can't find her crutches and collapses in the bathroom. Despite accentuating that kind of thing, it made the beautiful scenes ten times more beautiful. It was great.

I kind of wish there was more just about dance at the end, because Govinda sorta took over for a bit. The dance scenes that were near the end were fab, though.

The spiritual bits, which usually just make me feel weird about myself, were actually pretty darn great to read. Instead of having a preachy tone of, "This should be you. This character is so religious. They're getting the nice afterlife. You? You're getting a second-rate death. Hah." it didn't push its boundaries as fiction. It felt more comforting than imposing. Remember, if you're going to write a book with spiritual themes, TAKE AFTER THIS BOOK.

Ah, romance. The way romance was handled never dipped into "intolerable" zones.  It always stayed tolerable or better. This sounds like a half insult. It's actually a full compliment. Her crush on Jim brought out a really realistic side. Because, like, at least half of readers out there have a crush they really regret now. You think I'm not talking to you. I am. When Govinda showed, he was perfect love interest material. He's cool. It's nice to not be stuck with 'dark and brooding lovey dovey interest winterest'. Very, very nice.

I wholeheartedly recommend this book to anyone.

(Thank Squid for the 31st, or you guys might not have gotten this)

~Corinne